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Massenet: Manon»rank: 30491from: Deutsche Grammophon
0ur opinion: :This recording has been unavailable for too long. Recorded in 197O, a solid year-or-so before Beverly Sills' voice began to show the damage caused by singing Elisabetta l in Donizetti's Roberto Devereux, this is the finest all-around recording of Manon on the market. Sills, in addition to being fresh-voiced, is so thoroughly in the part that we can chart Manon's downfall step by step; her girlish singing is as right on as her sassy, showy coloratura in the thirds act, and her St Sulpice scene ...
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The Best Classical Album in the World... Ever!»rank: 15574by: Stanley Myers, Antonio Vivaldi, John Williams, Gregorian Chant, Giuseppe Verdi, Edward Elgar, Michael Nyman, Giacomo Puccini, Ludwig van Beethoven, Edvard Grieg, Riccardo Muti, Umberto Giordano, Fryderyk Chopin, Tomaso Giovanni Albinoni, Georges Bizet, Wolfgang Amadeus Mozart, Johann Pachelbel, Antonin Dvorak, Carl Orff, Pyotr Il'yich Tchaikovsky, Léo Delibes, George Gershwin, Maurice Ravel, Charles Gounod, Erik Satie, Sergey Prokofiev, Sergey Rachmaninov
0ur opinion: :This recording has been unavailable for too long. Recorded in 197O, a solid year-or-so before Beverly Sills' voice began to show the damage caused by singing Elisabetta l in Donizetti's Roberto Devereux, this is the finest all-around recording of Manon on the market. Sills, in addition to being fresh-voiced, is so thoroughly in the part that we can chart Manon's downfall step by step; her girlish singing is as right on as her sassy, showy coloratura in the thirds act, and her St Sulpice scene ...
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Classical Lullabies»rank: 110235from: EMI Special Products
0ur opinion: :This recording has been unavailable for too long. Recorded in 197O, a solid year-or-so before Beverly Sills' voice began to show the damage caused by singing Elisabetta l in Donizetti's Roberto Devereux, this is the finest all-around recording of Manon on the market. Sills, in addition to being fresh-voiced, is so thoroughly in the part that we can chart Manon's downfall step by step; her girlish singing is as right on as her sassy, showy coloratura in the thirds act, and her St Sulpice scene ...
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Dvorák: Schumann: Cello Concertos»rank: 92432from: EMI Classics
0ur opinion: :This recording has been unavailable for too long. Recorded in 197O, a solid year-or-so before Beverly Sills' voice began to show the damage caused by singing Elisabetta l in Donizetti's Roberto Devereux, this is the finest all-around recording of Manon on the market. Sills, in addition to being fresh-voiced, is so thoroughly in the part that we can chart Manon's downfall step by step; her girlish singing is as right on as her sassy, showy coloratura in the thirds act, and her St Sulpice scene ...
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Massenet: Thaïs / Sills, Milnes, Gedda; Maazel»rank: 98565by: Jules Massenet, Lorin Maazel, Beverly Sills, Nicolai Gedda, New Philharmonia Orchestra, John Alldis Choir, Sherrill Milnes, Norma Burrowes
0ur opinion: :This set is primarily for devoted fans of Beverly Sills, for fans of Sherrill Milnes in his prime, and for those who must have the uncut version where it's available. The estimable Ms. Sills was in less than ideal voice for the making of this recording, which is unfortunate, but the artistry still shines through. Mr. Milnes sings with rich tone. But Lorin Maazel's conducting is leaden and out of empathy with the score. --Sarah Bryan Miller
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Hallelujah: 35 Great Sacred Choruses»rank: 115111from: Sparrow
0ur opinion: :This set is primarily for devoted fans of Beverly Sills, for fans of Sherrill Milnes in his prime, and for those who must have the uncut version where it's available. The estimable Ms. Sills was in less than ideal voice for the making of this recording, which is unfortunate, but the artistry still shines through. Mr. Milnes sings with rich tone. But Lorin Maazel's conducting is leaden and out of empathy with the score. --Sarah Bryan Miller
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Prokofiev: Greatest Hits»rank: 39569from: Sony
0ur opinion: :This set is primarily for devoted fans of Beverly Sills, for fans of Sherrill Milnes in his prime, and for those who must have the uncut version where it's available. The estimable Ms. Sills was in less than ideal voice for the making of this recording, which is unfortunate, but the artistry still shines through. Mr. Milnes sings with rich tone. But Lorin Maazel's conducting is leaden and out of empathy with the score. --Sarah Bryan Miller
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Mendelssohn: Violin Concerto/Bruch: Violin Concertos #1 & 2 - Itzhak Perlman, Bernard Haitink, Jesus Lopez-Cobos»rank: 121772from: EMI Classics
0ur opinion: :This set is primarily for devoted fans of Beverly Sills, for fans of Sherrill Milnes in his prime, and for those who must have the uncut version where it's available. The estimable Ms. Sills was in less than ideal voice for the making of this recording, which is unfortunate, but the artistry still shines through. Mr. Milnes sings with rich tone. But Lorin Maazel's conducting is leaden and out of empathy with the score. --Sarah Bryan Miller
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Schumann: Cello Concerto; Piano Concerto; Introduction & Allegro appassionato»rank: 84187from: EMI Classics
0ur opinion: :This set is primarily for devoted fans of Beverly Sills, for fans of Sherrill Milnes in his prime, and for those who must have the uncut version where it's available. The estimable Ms. Sills was in less than ideal voice for the making of this recording, which is unfortunate, but the artistry still shines through. Mr. Milnes sings with rich tone. But Lorin Maazel's conducting is leaden and out of empathy with the score. --Sarah Bryan Miller
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Mozart: Greatest Hits»rank: 84031from: RCA
0ur opinion: :This set is primarily for devoted fans of Beverly Sills, for fans of Sherrill Milnes in his prime, and for those who must have the uncut version where it's available. The estimable Ms. Sills was in less than ideal voice for the making of this recording, which is unfortunate, but the artistry still shines through. Mr. Milnes sings with rich tone. But Lorin Maazel's conducting is leaden and out of empathy with the score. --Sarah Bryan Miller
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The prize must have come, at least in part, because alongside the poverty and dispossession, Steinbeck chronicled the Joads' refusal, even inability, to let go of their faltering but unmistakable hold on human dignity. Witnessing their degeneration from Oklahoma farmers to a diminished band of migrant workers is nothing short of crushing. The Joads lose family members to death and cowardice as they go, and are challenged by everything from weather to the authorities to the California locals themselves. As Tom Joad puts it: "They're a-workin' away at our spirits. They're a tryin' to make us cringe an' crawl like a whipped bitch. They tryin' to break us. Why, Jesus Christ, Ma, they comes a time when the on'y way a fella can keep his decency is by takin' a sock at a cop. They're workin' on our decency."
The point, though, is that decency remains intact, if somewhat battle-scarred, and this, as much as the depression and the plight of the "Okies," is a part of American history. When the California of their dreams proves to be less than edenic, Ma tells Tom: "You got to have patience. Why, Tom--us people will go on livin' when all them people is gone. Why, Tom, we're the people that live. They ain't gonna wipe us out. Why, we're the people--we go on." It's almost as if she's talking about the very novel she inhabits, for Steinbeck's characters, more than most literary creations, do go on. They continue, now as much as ever, to illuminate and humanize an era for generations of readers who, thankfully, have no experiential point of reference for understanding the depression. The book's final, haunting image of Rose of Sharon--Rosasharn, as they call her--the eldest Joad daughter, forcing the milk intended for her stillborn baby onto a starving stranger, is a lesson on the grandest scale. "'You got to,'" she says, simply. And so do we all. --Melanie Rehak

Norton Confidential automatically inspects Web sitesand potentially dangerous or identity-stealing programs on your PCfor known threats and suspicious behavior before you log in, make a purchase, or otherwise interact with them. If a threat is detected, Norton Confidential protects your passwords and other confidential information from an attacksuch as getting phished by fraudulent Web sites, or having your keystrokes secretly recorded by identity thieves.
When you visit a Web site on the Internet, domain servers translate the domain name into an IP addresses. View larger. |
In a pharming scam, a criminal programer hacks into a domain server and sends you to a fake Web site, which could trick you into submitting a username and password. To prevent pharming, Norton Confidential gives you a visual confirmation that a Web page has been verified as belonging to the company represented. View larger. |
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