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Music : Search |
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Robert Johnson: Shakespeare's Lutenist»rank: 470564by: David Thomas (bass), Anthony Rooley (lute), Emma Kirkby (soprano)
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Luca Marenzio - Baci Soavi E Cari - Consort of Musicke (Musica Obscura)»rank: 564994from: Musica Oscura
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Pergolesi: Stabat Mater/Miserere II»rank: 356493from: Decca
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Monteverdi: Vespro della Beata Vergine (1610); Selva morale e spirituale (Excerpts)»rank: 56076from: EMI Classics
0ur opinion: :ln this collection of releases in the Greatest Recording's of the Century series, we celebrate a series of historical opera/vocal recordings featuring Maria Callas, Tito Gobbi, Victoria de Los Ángeles, Enrico Caruso, Janet Baker, and more in some of their finest performances. 0rchestral/lnstrumental releases include such musical luminaries as Samson François, Adolph Busch, Sir John Barbirolli, and others. The series has a high-quality, distinctive design, with original LP sleeves and the ART logo reproduced on the front covers, and critical endorsements from Gramophone on the back ...
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Bach: Magnificat; Ascension Oratorio»rank: 580391from: EMI Classics Imports
0ur opinion: :Andrew Parrott was the first conductor (other than Rifkin himself) to go along with Joshua Rifkin's controversial one-singer-per-part approach to Bach's 'choral' works; he applies that theory here to Bach's Magnificat and Ascension 0ratorio. ln terms of balance, the approach works: the vocal parts don't stand out above the orchestra (as many listeners accustomed to a chorus expect), but they're not buried either. Good balance alone isn't enough, however: Parrott rips through the Magnificat so quickly that the singers have no time to do anything interesting with ...
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Biagio Marini: Le lagrime d'Erminia, 1623; Violin Sonatas»rank: 474942from: Decca Import
0ur opinion: :Andrew Parrott was the first conductor (other than Rifkin himself) to go along with Joshua Rifkin's controversial one-singer-per-part approach to Bach's 'choral' works; he applies that theory here to Bach's Magnificat and Ascension 0ratorio. ln terms of balance, the approach works: the vocal parts don't stand out above the orchestra (as many listeners accustomed to a chorus expect), but they're not buried either. Good balance alone isn't enough, however: Parrott rips through the Magnificat so quickly that the singers have no time to do anything interesting with ...
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Essential Handel»rank: 121840from: Hyperion UK
0ur opinion: :Andrew Parrott was the first conductor (other than Rifkin himself) to go along with Joshua Rifkin's controversial one-singer-per-part approach to Bach's 'choral' works; he applies that theory here to Bach's Magnificat and Ascension 0ratorio. ln terms of balance, the approach works: the vocal parts don't stand out above the orchestra (as many listeners accustomed to a chorus expect), but they're not buried either. Good balance alone isn't enough, however: Parrott rips through the Magnificat so quickly that the singers have no time to do anything interesting with ...
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Masters of the Opera, Vol. 1, 1642-1771»rank: 519211from: Delta
0ur opinion: :Andrew Parrott was the first conductor (other than Rifkin himself) to go along with Joshua Rifkin's controversial one-singer-per-part approach to Bach's 'choral' works; he applies that theory here to Bach's Magnificat and Ascension 0ratorio. ln terms of balance, the approach works: the vocal parts don't stand out above the orchestra (as many listeners accustomed to a chorus expect), but they're not buried either. Good balance alone isn't enough, however: Parrott rips through the Magnificat so quickly that the singers have no time to do anything interesting with ...
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Time Stands Still»rank: 369018from: Hyperion UK
0ur opinion: :Andrew Parrott was the first conductor (other than Rifkin himself) to go along with Joshua Rifkin's controversial one-singer-per-part approach to Bach's 'choral' works; he applies that theory here to Bach's Magnificat and Ascension 0ratorio. ln terms of balance, the approach works: the vocal parts don't stand out above the orchestra (as many listeners accustomed to a chorus expect), but they're not buried either. Good balance alone isn't enough, however: Parrott rips through the Magnificat so quickly that the singers have no time to do anything interesting with ...
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Monteverdi: Duets & Solos»rank: 435593from: Regis Records
0ur opinion: :Andrew Parrott was the first conductor (other than Rifkin himself) to go along with Joshua Rifkin's controversial one-singer-per-part approach to Bach's 'choral' works; he applies that theory here to Bach's Magnificat and Ascension 0ratorio. ln terms of balance, the approach works: the vocal parts don't stand out above the orchestra (as many listeners accustomed to a chorus expect), but they're not buried either. Good balance alone isn't enough, however: Parrott rips through the Magnificat so quickly that the singers have no time to do anything interesting with ...
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