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Claudio Arrau in Germany: Pre-War Recordings

Claudio Arrau in Germany: Pre-War Recordings

»rank: 425258

from: Music & Arts Program


0ur opinion: :Along with Marston's invaluable reissue of Arrau's early studio recordings, these radio broadcasts from the late 193Os add to our knowledge of one of the century's greats. The younger Arrau was a more overtly virtuosic pianist than the later, more philosophical one on his Philips recordings, but the seriousness of his interpretive approach shines through. The Beethoven sonatas, for example, are weightier in his later recordings, but we can still revel in his unique depth of tone and refusal to settle for surface glitter, a rare trait ...



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Schubert: Piano Sonata in G/Moments musicaux

Schubert: Piano Sonata in G/Moments musicaux

»rank: 550109

from: Polygram Records


0ur opinion: :Along with Marston's invaluable reissue of Arrau's early studio recordings, these radio broadcasts from the late 193Os add to our knowledge of one of the century's greats. The younger Arrau was a more overtly virtuosic pianist than the later, more philosophical one on his Philips recordings, but the seriousness of his interpretive approach shines through. The Beethoven sonatas, for example, are weightier in his later recordings, but we can still revel in his unique depth of tone and refusal to settle for surface glitter, a rare trait ...



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Chopin/Liszt: Piano Concertos

Chopin/Liszt: Piano Concertos

»rank: 832097

from: Urania


0ur opinion: :Along with Marston's invaluable reissue of Arrau's early studio recordings, these radio broadcasts from the late 193Os add to our knowledge of one of the century's greats. The younger Arrau was a more overtly virtuosic pianist than the later, more philosophical one on his Philips recordings, but the seriousness of his interpretive approach shines through. The Beethoven sonatas, for example, are weightier in his later recordings, but we can still revel in his unique depth of tone and refusal to settle for surface glitter, a rare trait ...



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Liszt: Piano Concerto No. 1; Schumann: Carnaval; Arabesque

Liszt: Piano Concerto No. 1; Schumann: Carnaval; Arabesque

»rank: 810485

from: Centurion Classics


0ur opinion: :Along with Marston's invaluable reissue of Arrau's early studio recordings, these radio broadcasts from the late 193Os add to our knowledge of one of the century's greats. The younger Arrau was a more overtly virtuosic pianist than the later, more philosophical one on his Philips recordings, but the seriousness of his interpretive approach shines through. The Beethoven sonatas, for example, are weightier in his later recordings, but we can still revel in his unique depth of tone and refusal to settle for surface glitter, a rare trait ...



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Set Your Life To Music: A Gentle Prelude To Sleep

Set Your Life To Music: A Gentle Prelude To Sleep

»rank: 295468

from: Philips


0ur opinion: :Along with Marston's invaluable reissue of Arrau's early studio recordings, these radio broadcasts from the late 193Os add to our knowledge of one of the century's greats. The younger Arrau was a more overtly virtuosic pianist than the later, more philosophical one on his Philips recordings, but the seriousness of his interpretive approach shines through. The Beethoven sonatas, for example, are weightier in his later recordings, but we can still revel in his unique depth of tone and refusal to settle for surface glitter, a rare trait ...



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Beethoven: Op. 111, 3 Versions

Beethoven: Op. 111, 3 Versions

»rank: 357013

from: Aura Classics


0ur opinion: :Along with Marston's invaluable reissue of Arrau's early studio recordings, these radio broadcasts from the late 193Os add to our knowledge of one of the century's greats. The younger Arrau was a more overtly virtuosic pianist than the later, more philosophical one on his Philips recordings, but the seriousness of his interpretive approach shines through. The Beethoven sonatas, for example, are weightier in his later recordings, but we can still revel in his unique depth of tone and refusal to settle for surface glitter, a rare trait ...



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Great Pianists of the 20th Century

Great Pianists of the 20th Century

»rank: 267287

from: Brilliant Classics


0ur opinion: :Along with Marston's invaluable reissue of Arrau's early studio recordings, these radio broadcasts from the late 193Os add to our knowledge of one of the century's greats. The younger Arrau was a more overtly virtuosic pianist than the later, more philosophical one on his Philips recordings, but the seriousness of his interpretive approach shines through. The Beethoven sonatas, for example, are weightier in his later recordings, but we can still revel in his unique depth of tone and refusal to settle for surface glitter, a rare trait ...



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Chopin, Liszt and Beethoven

Chopin, Liszt and Beethoven

»rank: 538949

from: Aura Classics


0ur opinion: :The Liszt Sonata's sweeping narrative, Faustian heroism, spiritual ecstasy, and unprecedented demands upon a pianist's technique and stamina make it seem as if it had been written specifically with Claudio Arrau in mind. The pianist's studio recording for Philips belongs in the collection of anyone who cares about Liszt. Fine as that recording is, however, Arrau's actual concert performances sometimes surpassed it. 0ne such occasion was Arrau's 1971 recital in Ascona, ltaly--a concert recorded for broadcast by Swiss-ltalian Radio and available for less than $6 on Aura's ...



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Beethoven The Ten Sonatas for Piano & Violin

Beethoven The Ten Sonatas for Piano & Violin

»rank: 475386

from: Vanguard Classics


0ur opinion: :While the Joseph Szigeti/Claudio Arrau pairing looks promising on paper, Szigeti is essentially fighting an uphill battle with a stylish but rather subdued pianist. Arrau was a great Beethoven player, but was chamber music his thing? Compare this rather static Kreutzer Sonata to the wrenching one Szigeti played with Bartók only a few years earlier in the same venue, and you'll hear what l mean. Adequate archival sonics. --Jed Distler



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Vol 4

Vol 4

»rank: 1242505

by: Claudio Arrau


0ur opinion: :While the Joseph Szigeti/Claudio Arrau pairing looks promising on paper, Szigeti is essentially fighting an uphill battle with a stylish but rather subdued pianist. Arrau was a great Beethoven player, but was chamber music his thing? Compare this rather static Kreutzer Sonata to the wrenching one Szigeti played with Bartók only a few years earlier in the same venue, and you'll hear what l mean. Adequate archival sonics. --Jed Distler



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$1NR New SEVENTIES MUSIC 3 CD ORIGINAL ARTIST CD NRonly $ 0.99Bid Now!5d 22h 9m left!

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Even when it takes no action, the Fed has some influence over consumers' budgets. Here's how the Fed's announcement affects both borrowers and savers.

A divorced couple can no longer use each other's stock transactions to offset capital gains, says CPA George Saenz.

LAKELAND | For now, work on Scott Lake is on hold - scuttled by residents in Pier Point subdivision who don't want trucks hauling several hundred truckloads of materials through their gated subdivision.

A couple found a one-bedroom apartment in Paris with an unlikely price tag of 82,000 euros, or a little more than $112,000.

When a business builds up its capital through earnings, part of the earnings disappear to taxes if not reinvested in the business before the end of the tax year, says CPA George Saenz.






by Ifsta Committee, International Fire Service Training Association, Richard Hall, Barbara Adams
$66.67

Average customer rating: 4.5 ISBN: 0879391499
$169.99



The Sony (PSP) Playstation Portable) packs a powerful multimedia punch within its slim build frame. With wireless internet, video and digital music playback, and incredible data storage and connectivity options, the Sony PSP is a complete solution for the mobile digital lifestyle. Imagine having all of your favorite movies, music and photos accessible in an instant; anywhere, anytime. Not to mention the numerous games available. Sony has combined both horsepower and groundbreaking features into a package that weighs just a little more than half a pound.
$17.98



Jazz is characterized by democratic group improvisation, so it's natural that artists like the Brooklyn-born pianist//keyboardist/composer Kenny Werner offer insightful and inventive critiques on American democratic society. On his Blue Note debut, Werner's impressive "cabinet" includes trumpeter/cornetist Dave Douglas, drummer Brian Blade, bassist Scott Colley, and saxophonist/clarinetist Chris Potter. With Tower of Power's Lenny Picket in the production chair, Werner's take on the unreality of American life is manifested in techno-savvy computer grooves, acoustic swing, strong contrapuntal exchanges, and genre-bending idioms. "Lo's Garden," "Inaugural Balls," "New Amsterdam," and "Lawn Chairs (and Other Foreign Policy)" are syncopated soapboxes ringing with Kraftwerk/James Brown/Herbie Hancock Headhunter-type rhythms and angular melodies, contrasted by the mournful aura of "The 13th Day," written for his late daughter, and "Kothbiro," from the film The Constant Gardener. Werner's bop, beats, and bytes will live on long after the polls close. --Eugene Holley, Jr.
$13.98



Originally recorded in 1989, Phish's second record is a brilliant blend of whimsy and wisdom that served notice to the world: these boys are tough to peg. "The Squirming Coil" is arena-rock bluster, "Reba" is winding art rock, "My Sweet One" is quick bluegrass, "Split Open and Melt" is a funky workout, "Oh Kee Pa Ceremony" is jazzed-up country boogie, "Lawn Boy" is lounge jazz, and "Bouncing Around the Room" is irresistible pop. Add to that "Run Like an Antelope," one of their most successful twisting-and-turning instrumental jams, and you have an eclectic yet digestible smorgasbord of styles. What saves Phish from crumbling under their own weight? A palpable sense of playfulness and sarcasm and musicianship that is both loose and demanding. --Marc Greilsamer


4 Vol
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