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Music : Search |
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Cecilia Bartoli - If You Love Me (Se tu m'ami ), 18th-Century Italian Songs»rank: 6535by: Alessandro Scarlatti, Antonio Caldara, Antonio Lotti, Antonio Cesti, Giovanni Paisiello, Anonymous, Benedetto Marcello, Giuseppe Giordani, Giulio Caccini, Alessandro Parisotti, Pietro Francesco Cavalli, Antonio Vivaldi, Giacomo Carissimi, Cecilia Bartoli, György Fischer
0ur opinion: :The 17th-century ltalian art song repertory traditionally reserved for novice singers is given new life via Bartoli's artistry. With impeccable diction and evocative phrasing, she captures every innuendo of these simple, but passionate, pieces. No two repetitive phrases are alike; she chisels every line into a landscape of interpretive magnificence. Scarlatti's simple '0 Cessate di Piagarmi' becomes a testament of innocent pain and plaintiveness. Giordano's 'Caro Mio Ben' is transformed into a tender cry for love. All embellishments are ...
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Baroque: The Greatest Hits»rank: 19121from: Compendia
0ur opinion: :The 17th-century ltalian art song repertory traditionally reserved for novice singers is given new life via Bartoli's artistry. With impeccable diction and evocative phrasing, she captures every innuendo of these simple, but passionate, pieces. No two repetitive phrases are alike; she chisels every line into a landscape of interpretive magnificence. Scarlatti's simple '0 Cessate di Piagarmi' becomes a testament of innocent pain and plaintiveness. Giordano's 'Caro Mio Ben' is transformed into a tender cry for love. All embellishments are ...
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The Best of Baroque Music»rank: 17179from: Naxos
0ur opinion: :The 17th-century ltalian art song repertory traditionally reserved for novice singers is given new life via Bartoli's artistry. With impeccable diction and evocative phrasing, she captures every innuendo of these simple, but passionate, pieces. No two repetitive phrases are alike; she chisels every line into a landscape of interpretive magnificence. Scarlatti's simple '0 Cessate di Piagarmi' becomes a testament of innocent pain and plaintiveness. Giordano's 'Caro Mio Ben' is transformed into a tender cry for love. All embellishments are ...
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Michael Murray At The Cathedral Of St. John The Divine: Works By Franck, Widor, Dupré, Bach and Others»rank: 12351from: Telarc
0ur opinion: :The 17th-century ltalian art song repertory traditionally reserved for novice singers is given new life via Bartoli's artistry. With impeccable diction and evocative phrasing, she captures every innuendo of these simple, but passionate, pieces. No two repetitive phrases are alike; she chisels every line into a landscape of interpretive magnificence. Scarlatti's simple '0 Cessate di Piagarmi' becomes a testament of innocent pain and plaintiveness. Giordano's 'Caro Mio Ben' is transformed into a tender cry for love. All embellishments are ...
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Tuba Helper»rank: 114875by: David Zerkel, tuba, Paolo Gualdi, piano
0ur opinion: :The 17th-century ltalian art song repertory traditionally reserved for novice singers is given new life via Bartoli's artistry. With impeccable diction and evocative phrasing, she captures every innuendo of these simple, but passionate, pieces. No two repetitive phrases are alike; she chisels every line into a landscape of interpretive magnificence. Scarlatti's simple '0 Cessate di Piagarmi' becomes a testament of innocent pain and plaintiveness. Giordano's 'Caro Mio Ben' is transformed into a tender cry for love. All embellishments are ...
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The Recorder: 4 Centuries of Recorder Music»rank: 28551from: Lyrichord Discs Inc.
0ur opinion: :The 17th-century ltalian art song repertory traditionally reserved for novice singers is given new life via Bartoli's artistry. With impeccable diction and evocative phrasing, she captures every innuendo of these simple, but passionate, pieces. No two repetitive phrases are alike; she chisels every line into a landscape of interpretive magnificence. Scarlatti's simple '0 Cessate di Piagarmi' becomes a testament of innocent pain and plaintiveness. Giordano's 'Caro Mio Ben' is transformed into a tender cry for love. All embellishments are ...
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The Magic Of the Oboe»rank: 115231from: Erato
0ur opinion: :The 17th-century ltalian art song repertory traditionally reserved for novice singers is given new life via Bartoli's artistry. With impeccable diction and evocative phrasing, she captures every innuendo of these simple, but passionate, pieces. No two repetitive phrases are alike; she chisels every line into a landscape of interpretive magnificence. Scarlatti's simple '0 Cessate di Piagarmi' becomes a testament of innocent pain and plaintiveness. Giordano's 'Caro Mio Ben' is transformed into a tender cry for love. All embellishments are ...
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In My Heart - 17th and 18th Italian Songs»rank: 99818from: RCA
0ur opinion: :Those who prefer 17th- and 18th-century music performed in a 'historically correct' manner may balk, but these 'old songs and arias' ('arie antiche') are beautifully presented and sung. lt's not that Ramón Vargas approaches them in a verismo style or that he overexclaims them. Rather, he sings with ardor, generous portamento, and a Romantic, cushioned voice filled with vibrato and expression. At the same time, Vargas embellishes the vocal line in very much the style popular and proper 2OO ...
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Trumpet Concertos»rank: 94132from: EMI Classics
0ur opinion: :Those who prefer 17th- and 18th-century music performed in a 'historically correct' manner may balk, but these 'old songs and arias' ('arie antiche') are beautifully presented and sung. lt's not that Ramón Vargas approaches them in a verismo style or that he overexclaims them. Rather, he sings with ardor, generous portamento, and a Romantic, cushioned voice filled with vibrato and expression. At the same time, Vargas embellishes the vocal line in very much the style popular and proper 2OO ...
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Benedetto Marcello: Sonatas for Recorder and B.C.; Sonatas for Cello and B. C.»rank: 70490from: Dynamic Italy
0ur opinion: :Those who prefer 17th- and 18th-century music performed in a 'historically correct' manner may balk, but these 'old songs and arias' ('arie antiche') are beautifully presented and sung. lt's not that Ramón Vargas approaches them in a verismo style or that he overexclaims them. Rather, he sings with ardor, generous portamento, and a Romantic, cushioned voice filled with vibrato and expression. At the same time, Vargas embellishes the vocal line in very much the style popular and proper 2OO ...
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| 1916 FOURTH YEAR MUSIC BY HOLLIS DANN |  | only $ 2.00 | Bid Now! | 4d 17h 15m left! |
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